A Tiger in the Zoo — RBSE Class 10 English (First Flight · Poem)
A tiger paces a few metres of concrete, silent and helpless, while cars and visitors stare. Leslie Norris sets this pitiful sight against a vision of the same beast — free, fierce and terrifying — in the wild, and lets the contrast make his angry point: wild animals do not belong in cages.
1. The poem in brief
The poem moves back and forth between two images of the tiger:
- In the zoo: he "stalks" the few steps of his cage in "quiet rage," on "pads of velvet." He ignores the visitors and, at night, hears the patrolling cars and stares with "brilliant eyes" at the "brilliant stars" — trapped and longing.
- In the wild (imagined): he should be lurking in shadow, sliding through long grass near the water-hole to hunt a plump deer, or snarling around houses at the jungle's edge, terrorising the village with his fangs and claws.
The contrast between the powerful, free tiger and the caged, helpless one is the heart of the poem.
2. Central idea
The poem is a protest against the captivity of wild animals. A tiger is meant to be free, majestic and fierce in its natural home; caging it in a small concrete cell reduces it to a helpless, frustrated prisoner. Norris urges us to feel the cruelty and injustice of confining wild creatures and to value their freedom.
3. Poetic devices
- Contrast: the caged tiger vs the free tiger — the poem's central technique.
- Imagery: vivid pictures — "pads of velvet," "long grass," "water hole," "brilliant eyes."
- Personification / mood: "quiet rage," ignoring visitors — the tiger given human-like feeling.
- Metaphor: "pads of velvet quiet" for his soft, silent paws.
- Alliteration: e.g. "stalks... stripes," "brilliant... brilliant."
- Repetition: "brilliant eyes / brilliant stars" links his longing to the free night sky.
- Rhyme: the poem has a broadly regular rhyme scheme across its five stanzas.
4. Closing thought
"A Tiger in the Zoo" works entirely through contrast: every image of the caged animal is shadowed by what he should be doing in the wild. The tiger's "quiet rage" and his night-time stare at the stars make his captivity unbearable to imagine. Norris never lectures — he simply shows us the free tiger and the caged tiger side by side, and lets our own conscience conclude that such magnificent, wild creatures should not be locked away.
For the RBSE board, remember the two contrasting pictures (caged vs free tiger), the tiger's "quiet rage" and stare at the stars, the central idea (freedom vs captivity; cruelty of caging), and the poetic devices (contrast, imagery, personification, metaphor). Contrast and central-idea questions are common.
