The Enemy — Pearl S. Buck
"If I had not been trained as a surgeon, I would turn him over to the police. But I am a surgeon. I cannot let a man die."
1. About the Story
Set in JAPAN during WORLD WAR II. Dr. Sadao Hoki, a Japanese surgeon trained in America, finds a wounded WHITE MAN washed up on the beach near his home. The man is an AMERICAN SOLDIER — an 'enemy' of Japan. Sadao faces an IMPOSSIBLE CHOICE: his MEDICAL OATH (save the man) vs. his PATRIOTIC DUTY (turn him over to the army, which will execute him). He chooses to SAVE the enemy. The rest of the story is the AFTERMATH — his internal conflict and the quiet, unexpected ways his choice plays out.
2. Characters
Dr. Sadao Hoki
- Japanese surgeon. Studied in AMERICA. Met his wife Hana there.
- A man of SCIENCE and MEDICAL ETHICS. 'I cannot let a man die.'
- He saves the American soldier — operates on him, nurses him, hides him
- BUT: he is NOT a rebel. He REPORTS the soldier to the General. He is CONFLICTED — torn between his training and his country.
- The STORY DOES NOT JUDGE HIM. It simply presents his conflict.
Hana (Sadao's Wife)
- Also studied in America. SPEAKS ENGLISH.
- She HELPS Sadao — washes the soldier, assists in the surgery, feeds him
- She too is CONFLICTED — but her loyalty to her HUSBAND overrides her fear
- Her COURAGE is quieter than Sadao's — but EQUALLY ESSENTIAL
Tom (The American Soldier)
- Wounded, unconscious when found. A young man. An 'enemy' by nationality — but, first: a HUMAN BEING.
- GRATEFUL. Quiet. Understands his position.
- At the end: Sadao arranges his ESCAPE — puts him on a boat to a nearby island at night. 'He will find a Korean fishing boat.'
- The soldier leaves. Sadao never sees him again.
The General
- An old Japanese general. Sadao's patient and superior.
- He OFFERS to have the American 'removed' by assassins — 'They will do it quietly. They are experts.'
- But the General FORGETS. 'I forgot about your enemy. It is not my habit to forget, but I am ill.' (He IS ill. But the convenient forgetting is SUSPICIOUS — does he deliberately let the American escape?)
- The General represents: the STATE. He can order a man's death — but he 'forgets.' The state's violence is both POWERFUL and NEGLIGENT.
The Servants
- Yumi, the children's nurse. The gardener. The cook.
- They REFUSE to help with the 'enemy.' 'We cannot stay in a house where an American is sheltered.'
- They LEAVE. They represent: ORDINARY PEOPLE's nationalism. Their fear. Their conformity.
3. Key Themes
1. Professional Ethics vs. National Duty
Sadao's conflict: as a SURGEON, he must save a life. As a JAPANESE CITIZEN, he should let the enemy die. The two identities are INCOMPATIBLE. Sadao chooses his MEDICAL ETHICS. But the choice HAUNTS him.
2. Humanity Beyond Nationality
The American soldier is an 'enemy.' But when Sadao operates on him, he is a BODY — a wounded HUMAN. The story argues: HUMANITY precedes NATIONALITY. We are humans first; citizens of nations second.
3. The Psychology of the 'Enemy'
The word 'enemy' is an ABSTRACTION. The soldier washed up on the beach is a CONCRETE, suffering human being. Sadao can 'kill an enemy' in the abstract. He cannot kill THIS man — not when the man is lying on his operating table.
4. Moral Courage and Its Cost
Sadao saves the soldier. The servants leave. His reputation is at risk. The General's assassins might (or might not) have come. Sadao pays a price — social, psychological, professional — for doing the RIGHT THING.
4. Key Lines
- "I cannot let a man die. That would be the real failure of my training."
- "The man was an American. The enemy."
- "I will have him killed. My private assassins. They will do it quietly."
- "I forgot about your enemy. It is not my habit to forget. But I am ill."
5. Common Mistakes
-
Sadao is an absolute hero / absolute traitor — He is NEITHER. He is a COMPLEX human being who CHOOSES his medical ethics over national duty — but reports the soldier to the General. He is not a saint. He is a man making impossible choices.
-
The General's forgetting is genuine — Maybe. But the timing ('I am ill') and the CONVENIENCE (Sadao can now help the American escape) suggest it may be DELIBERATE. The General MAY have chosen to let the American go — without ever SAYING so.
6. Conclusion
'The Enemy' is a story about the MOMENT when ABSTRACT PRINCIPLES meet CONCRETE HUMANITY:
- SADAO: A surgeon. A Japanese man. A HUMAN BEING. He saves an enemy.
- THE SERVANTS: They leave. They represent: SOCIETY's judgment.
- THE GENERAL: He can kill — but he 'forgets.' The state's violence is erratic.
- THE SOLDIER: An 'enemy' who becomes a patient. A life saved. A man set free.
Pearl S. Buck asks: What would YOU do? And she refuses to provide an easy answer.
